10h30
OPENING
Madalena Oliveira
Presentation fo the initiative “Sounds of distance”
11h00
ROUNDTABLE
Moderator: Luís António Santos
- Pedro Félix – coordinator of the implementation team of the National Sound Archive
- Raquel Castro – researcher at CICANT / Lusófona University of Technologies and Humanities, curator
- Rui Dias – composer, multimedia artist and professor at the Politechnical Institute of Castelo Branco
- Alexandrina Guerreiro – soundwoman
The session will be open for discussion with participants
12h30
LUNCH BREAK
14h00
PARALLEL SESSIONS of works presentations
Virtual room 1
SOUND PLANS, NARRATIVES AND CONVERGENCE
Moderator: Fábio Ribeiro
The post-production of audio in the fields of communication and/or audiovisual production in the era of digital convergence
Carlos Canelas
Unidade de Investigação para o Desenvolvimento do Interior | Instituto Politécnico da Guarda (Portugal)
Going through the soundtracks of soap operas: the memory of Brazilian popular music in the 1970s
Emilla Grizende Garcia
Universidade Federal de Juiz de Fora (UFJF) (Brasil)
Radio and the sound of silence
Rita Curvelo
Universidade Católica Portuguesa (Portugal)
Reflection on the changes in the Brazilian radio journalism language after the arrival of the Internet
Alvaro Bufarah Junior
Universidade Federal de Santa Catarina e Universidade Presbiteriana Mackenzie (Brasil)
“Hey, listen!” Towards a conceptualization of listening and the sound environment in video games
Teresa Piñeiro-Otero
Universidade da Coruña (Espanha)
Virtual room 2
SONORITIES, RITUALS AND CULTURE
Moderator: Luís António Santos
Performative Offerings – sound art in a cosmolistening
Victor Hugo Alves Araújo
Universidade de Brasília (Brasil)
Tuxá Sound Cartography
André Luis O. P. de Souza
Universidade do Estado da Bahia / Ecologia Humana (Brasil)
The silence of the drums and the listening in the collective imaginary – Daughters of Saint in quarantine
Vania Galliciano Ghelardi
Universidade do Minho – ICS (Portugal)
Sound as a cultural mirror of a nation: a study of the sound articulation and aesthetic composition of the work “Feel the Sounds of Kenya”
Julia Bohatch Batista
Universidade do Minho – Instituto de Ciências Sociais (Portugal)
Collective sound creations and affections during the pandemic: forms of listening to oneself and others
Marina Mapurunga de Miranda Ferreira
Universidade Federal do Recôncavo da Bahia (UFRB) (Brasil)
Poetic content and sound in the audio descriptions of the MARIANA Exhibition – SSA/BA
Sandra Regina Rosa Farias
Universidade do Estado da Bahia (UNEB) (Brasil)
Virtual room 3
SOUND, MEMORy AND LANDSCAPES
Moderator: Alberto Sá
A return to listening: a reflection on the importance of memory and soundscapes
Ana Sofia Paiva
Universidade Nova de Lisboa (NOVA FCSH) (Portugal)
Sound ecology and environmental ecology
João N.S. Almeida
Faculdade de Letras da Universidade de Lisboa (Portugal)
Deafening silence: do we know how to listen to the world to come?
Pedro Amorim de Oliveira Filho
Centro de Cultura, Linguagens e Tecnologias Aplicadas (CECULT), Unversidade Federal do Reconcavo da Bahia (UFRB) (Brasil)
Sonorities and the appeal to memory: a reflection on the importance of soundscapes in pandemic times
Ricardo Morais
Universidade da Beira Interior/LabCom (Portugal)
“Gugu Dadá” and other sounds: for a reflection on early childhood in sound isolation
Teresa Costa Alves
CECS (Portugal)
Virtual room 4
SOUNDS, SENSATIONS AND CONTEMPLATION
Moderator: Daniel Brandão
About listening points and possible cosmo-additions (or: around soundtracks to feel us)
Carlos Bonfim
Universidade Federal da Bahia (Brasil)
Subaltern sonorities in times of pandemic
Graciela Martínez Matías
Universidad Nacional Autónoma de México (México)
The vocalization of poetic text: an experience of boradcasting and listening
Laercio Fernandes dos Santos & Marlete Sandra Diedrich
Universidade de Passo Fundo (Brasil)
Audiodescriptive locution and visocentrism: an accessibility feature in football for visually impaired people
Marcos Alexandre Sena da Silva
Universidade Federal da Bahia (Brasil)
“The world is not to behold. It’s for listening” – a filmic analysis of the short film Phantom (2010)
Marise da Silva Urbano Lima
Universidade Federal de Sergipe (Brasil)
15h30
CLOSING